Black Arts Movement (1965-1975) (2024)

The Black Arts Movement was a Black nationalism movement that focused on music, literature, drama, and the visual arts made up of Black artists and intellectuals. This was the cultural section of the Black Power movement, in that its participants shared many of the ideologies of Black self-determination, political beliefs, and African American culture.

The Black Arts Movement started in 1965 when poet Amiri Baraka [LeRoi Jones] established the Black Arts Repertory Theater in Harlem, New York, as a place for artistic expression. Artists associated with this movement include Audre Lorde, Ntozake Shange, James Baldwin, Gil Scott-Heron, and Thelonious Monk. Records at the National Archives related to the Black Arts Movement primarily focus on individual artists and their interaction with various Federal agencies.

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Prominent Figures of the Black Arts Movement at the National Archives

Gwendolyn Brooks

Nikki Giovanni

Lorraine Hansberry

Maya Angelou (April 4, 1928 -May 28, 2014)

Marguerite “Maya” Johnson was born in St. Louis, Missouri. She was a writer, poet, activist, and actress. Angelou was exposed to the Civil Rights Movement and African culture during the 1960s. In the 1970s, she began her writing career, focusing on stories and anecdotes based on her life, Blackness, and feminism. In 1993, Angelou became the first poet to recite a poem at a presidential inauguration since 1961. Records at the National Archives related to Maya Angelou consistof appearances at Federal events and her time on tour with a production of Porgy & Bess.

Social Networks and Archival Context - Maya Angelou

Black Arts Movement (1965-1975) (1)

Angelou Reciting "On the Pulse of Morning" at the Inauguration of President Clinton, January 20, 1993; Photo ID: P00162_24; William J. Clinton Presidential Library

Amiri Baraka [Everett LeRoi Jones] (October 7, 1934 - January 9, 2014)

Amiri Baraka was born Everett LeRoi Jones in Newark, New Jersey on October 7, 1934.In 1954 he earned a bachelor’s degree in English at Howard University.Following graduation, Jones joined the military and served three years in the Air Force.After receiving a honorable discharge, he settled in Greenwich Village in New York and began to interact with various musicians and artists.While living in New York, Jones became a well-respected novelist and poet for his writings on Black liberation and white racism.He also met Hettie Cohen, a Jewish writer.Later on, the two married and co-edited the literary magazine Yugen.They also founded Totem Press, whichfocused on publishing the works of political activists.Jones taught at several colleges and universities before changing his name to Amiri Baraka.Baraka continued to publish literary works for over 50 years until his death in 2014.Records at the National Archives pertaining to Amiri Baraka includea sound recording of Baraka reciting a poem that was considered to be an un-American activity.

Social Networks and Archival Context - Amiri Baraka

James Baldwin (August 2, 1924 - December 1, 1987)

Black Arts Movement (1965-1975) (2)

James Baldwin and Marlon Brando at the March on Washington, August 28, 1963 (NAID542060)

James Arthur Baldwin was born August 2, 1924 in Harlem, New York.After graduating from high school in 1942, Baldwin began writing.In 1953, he published his first novelGo Tell It on the Mountain. Prior to releasing his first novel, Baldwin chose to leave America and move to France because of his dissatisfaction with the open racism and hom*ophobia in the United States.In 1962, he visited the United States in order to participate in the the Civil Rights Movement, namely attending the March on Washington (seen in the photo).During the height of the struggle for Black equality, Baldwin was widely known for hismilitant essays that illustrated the social and economic plightof Black Americans.His writings addressed the issues of race but also mentioned the complexity of hom*osexuality and sexual orientation among the Black experience in the U.S. After theassassination of Dr. Martin Luther King, Jr.in 1968, Baldwin returned to France and continued writing until his death in 1987.Records at the National Archives pertaining to James Baldwin include moving images from the Peace Corps, the Agency for International Development and an interview with Pulitzer Prize winner Gwendolyn Brooks.

Social Networks and Archival Context - James Baldwin

Gwendolyn Brooks (June 7, 1917 to December 3, 2000)

Gwendolyn Brooks was an American poet and teacher and is known as the first African American woman to win a Pulitzer when she was awarded the Pulitzer Prize for Poetryfor her workAnnie Allen (1950). Brooks was born on June 7, 1917 in Topeka, Kansas. Six weeks after her birth, the Brooks family moved to Chicago. Growing up in Chicago and attending majority white, then Black, and then integrated schools gave Brooks a varied perspective on racial dynamics in America which would later come to influence her future work. In the 1940s Brooks became heavily involved in attending poetry workshops in Chicago, in particular workshops organized by Inez Cunningham Stark. World renowned poet Langston Hughes stopped by one of these workshops and after hearing her recite her poem "The Ballad of Pearl May Lee” he became a fan of her work and acted as her mentor.

She published several worksof poetry including A Street in Bronzeville (1945), and In the Mecca (1968) which both earned critical acclaim. One of her better known poems “We Real Cool” was published in her third book of poetry, The Bean Eaters (1960), and is widely studied in literature classes and re-printed in literature textbooks. Brooks taught poetry and writing around the country at several well known colleges and universities such as the University of Chicago, Columbia University, and Elmhurst College and continued on in that respect until her death on December 3, 2000 in her hometown of Chicago.

Social Networks and Archival Context - Gwendolyn Brooks

Nikki Giovanni (June 7, 1943)

Nikki Giovanni is an American poet, writer, commentator, activist, and educator. Giovanni was born as Yolande Cornelia "Nikki" Giovanni, Jr. on June 7, 1943 in Knoxville, Tennessee. She attended Fisk University receiving a B.A. in History and later went on to attend graduate school at the University of Pennsylvania and Columbia University. Giovanni’s work covers topics ranging from race and social issues explored through poetry anthologies, poetry recordings, and nonfiction essays. She was a prominent figure in the Black Arts Movement of the late 1960s and her work was heavily influenced by the Civil Rights Movement and the Black Power Movement. Her poetry during this periodinBlack Feeling, Black Talk and Black Judgement, reflected a strong African American perspective and because of this she was hailed as the "Poet of the Black Revolution." Over the years Giovanni would shift her focus to children’s literature, human relationships, women writers, and hip hop. Currently, Giovanni works as an University Distinguished Professor at Virginia Tech where she teaches courses on writing and poetry.

Social Networks and Archival Context - Nikki Giovanni

Lorraine Hansberry (May 19, 1930 - January 12, 1965)

A native of Chicago, Illinois Lorraine Hansberry is known as one of the most significant and influential playwrights of the 20th century.She wrote the landmark play A Raisin in the Sun, which opened at Ethel Barrymore Theatre in New York City in 1959.A Raisin in the Sun was the first play written by an African American woman to be produced on Broadway.The play depicted the characteristics, emotions, and struggles of an urban Black family and eventually won a New York Drama Critics Circle Award and four Tonys for best play, director, actress and actor.Because of the success of the play, Hansberry was credited for breaking down racial barriers on Broadway and ushering in a new opportunity for African American women playwrights.

In 1961, she wrote the screenplay to A Raisin in the Sunin order to turn the play into a movie.The movie staring Sidney Poitier and Ruby Dee became as successful as the play and allowed the actors to gain considerable recognition for their roles.Hansberry’s second play, and only other production put on in her lifetime,The Sign in Sidney Brustein’s Windowran for101performances.The day that the play closed was the same day that Hansberry died at the age of 34 from pancreatic cancer. Hansberry had many other works, including writings for the Student Nonviolent Coordinating Committee (SNCC), and contributions to lesbian rights organizations. Records at the National Archives pertaining to Lorraine Hansberry includemoving images among the records of the Agency for International Development and sound recordings of a radio broadcast.

Social Media and Archival Contexts - Lorraine Hansberry

Black Arts Movement (1965-1975) (2024)

FAQs

What was the Black Arts Movement in 1965 to 1975? ›

The Black Arts Movement started in 1965 when poet Amiri Baraka [LeRoi Jones] established the Black Arts Repertory Theater in Harlem, New York, as a place for artistic expression. Artists associated with this movement include Audre Lorde, Ntozake Shange, James Baldwin, Gil Scott-Heron, and Thelonious Monk.

What is the Black Arts Movement quizlet? ›

The Black Arts Movement sought to change how blacks were represented and portrayed in literature and the arts. It led to the creation of African-American Studies programs within universities.

What major event led to the creation of the Black Arts Movement? ›

On February 21, 1965, Black Nationalist and Civil Rights leader Malcolm X is assassinated in Harlem. Poet Larry Neal witnesses the assassination. LeRoi Jones, who later changes his name to Amiri Baraka, moves to Harlem and founds the Black Arts Repertory Theatre.

For what was the Black Arts Movement criticized? ›

The Black Arts Movement was often criticized as being misogynistic, anti-Semitic, hom*ophobic, and racially exclusive. Many of these criticisms were not necessarily undeserved. The movement was largely lead by men, and those men often produced art focusing on Black masculinity.

What was the point of the Black Arts Movement? ›

The Black Arts movement began in 1965 under the influence of American writer, poet, and cultural critic, Amiri Baraka. It was one of several movements that uprose, influenced by the assassination of Malcolm X on February 21, 1965, which sought to uplift and empower Black communities throughout the United States.

What was the Black Power movement 1965? ›

The 1965 assassination of Malcolm X, coupled with the urban riots of 1964 and 1965, ignited the movement. New organizations that supported Black Power philosophies ranging from the adoption of socialism by certain sects of the movement to black nationalism, including the Black Panther Party (BPP), grew to prominence.

What is the role of the Black Arts Movement during the Great Depression and the civil rights era? ›

Both the Civil Rights Movement and the Black Arts Movement focused on elevating political power for Black people. The Black Arts Movement, in particular, used art to gain political power, and the art, more generally, expressed themes of black pride and power.

What is the Black Arts Movement black is beautiful? ›

In its philosophy, “Black is beautiful” focused also on emotional and psychological well-being. The movement affirmed natural hairstyles like the “Afro” and the variety of skin colors, hair textures, and physical characteristics found in the African American community.

Why was the Black Arts Movement criticized quizlet? ›

This period became known as the black arts movement. The guiding ethos of the movement was the determination of black artists to produce black art for black people and thereby to accomplish black liberation. It was criticized because of its celebration of black maleness, its racial exclusivity, and its hom*ophobia.

What are the principles of the Black Arts Movement? ›

The guiding principle of the Black Arts Movement was that artists would produce Black art for black audiences, establish their own standards, and promote pride in Black accomplishments.

Why is black art so important? ›

The impact of African American art is vast and important to capturing the culture, history and legacy of African Americans. It serves as a powerful tool for storytelling, shedding light on the struggles, triumphs and resilience of the African American community.

Who led the black movement? ›

Martin Luther King Jr.

How does gender impact the Black Arts Movement? ›

The Black Arts Movement was deemed controversial for many reasons; one of them being that much of the content was considered sexist. Many of the major works of BAM were solely focused on Black masculinity, and this often threatened to drown out the voices and messages of Black women artists of the movement.

How did the Black Arts Movement influence hip hop? ›

Black Arts literary critic Addison Gayle, Jr., notes that Black art has always been rooted in the anger felt by Afrikan-Americans, and hip-hop culture has remained true to many of the convictions and aesthetic criteria that evolved out of the Black Arts Movement of the '60s, including calls for social relevance, ...

What were the major ideological concerns of the artists of the black power movement? ›

Black power adherents believed in black autonomy, with a variety of tendencies such as black nationalism, black self-determination, and black separatism.

What was the black movement in the 1970s? ›

Inspired by the principles of racial pride, autonomy and self-determination expressed by Malcolm X (whose assassination in 1965 had brought even more attention to his ideas), as well as liberation movements in Africa, Asia and Latin America, the Black Power movement that flourished in the late 1960s and '70s argued ...

What art movement was in the 1960s and 70s? ›

Two movements dominated artistic development during the 1960s and 1970s: Minimalism and Conceptual art.

What is the name of the art movement that flourished during the 1960's and 1970's? ›

Minimalism (1960s–1970s)

The Minimalist movement emerged in New York as a group of younger artists began to question the overly expressive works of Abstract Expressionist artists. Minimalist art instead focused on anonymity, calling attention to the materiality of works.

What was the black is beautiful movement in the 1970s? ›

The movement encouraged black individuals to embrace their own unique beauty and identity, rather than striving to fit into a narrow definition of beauty that was based on white standards. This included embracing natural hair textures, styles, and colors, as well as celebrating diverse skin tones and features.

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